![]() (Takes the locket from the envelope and puts it on ANNIE)ĪNNIE: (CROSSING to the settee and sitting down dejectedly) That's okay. doesn't think that there's a chance in a million of tracing your parents through the locket. WARBUCKS: Over ninety thousand were made and sold. In Utica, New York.ĪNNIE: Oh, boy! (CROSSES to WARBUCKS, excited) (Opening the envelope, taking out a letter, and reading it) Agent Gunderson located the manufacturer of Annie's locket. ![]() WARBUCKS: Oh, no, I'm afraid I'll be far too busy tonight. Instead, you take Annie to the movies.ĪNNIE: (Obviously disappointed about something) Aw, gee.ĪNNIE: It's just that… well… I thought you were going to take me. ![]() WARBUCKS: Grace, forget about the dictation for tonight. And then an ice-cream soda at Rumpelmayer's and a hansom cab ride around Central Park. (Has an idea) Would you like to go to a movie?ĪNNIE: (Checking GRACE to see if this would be all right GRACE nods "yes") Gosh, Mr. (To ANNIE) Well, Annie, I guess we ought to do something special on your first night. ![]() GRACE: (Aside to WARBUCKS) It is her first night here, sir. Grace, we'll start with the figures on the iron-ore shipments from… Toledo to… (Made uncomfortable by the presence of ANNIE, aside to GRACE) What are we supposed to do with this child? WARBUCKS: (Obviously not meaning it) Not at all. (Frowningly approaching ANNIE, assessing her) Annie, huh? Annie what?ĪNNIE: (Nervously) Oh, I'm just Annie, Mr. WARBUCKS: Well, I suppose she'll have to do. GRACE: I'm sorry, sir, you just said "orphan". Warbucks: the orphan who will be with us for Christmas. WARBUCKS: And, Grace, if you'll get your notebook… Who is that? (The SERVANTS, not including GRACE, EXIT WARBUCKS turns to speak to GRACE and, for the first time, notices ANNIE) WARBUCKS: All right, good to see you all again. GRACE: (Trying to introduce ANNIE to WARBUCKS) Mr. GRACE: (consulting a notepad) President Roosevelt wants you to call him at the White House. WARBUCKS: Not bad… only took eleven hours. WARBUCKS takes off his overcoat and hands it to DRAKE) Hello, everybody. WARBUCKS is carrying a bulging briefcase and the CHAUFFEUR is carrying two suitcases. WARBUCKS: (OFFSTAGE) Where is everybody? (OLIVER WARBUCKS, trailed by a uniformed CHAUFFEUR, comes bustling in. MISS HANNIGAN: Now! (Orphans run for pails and return to front) Why any kid would want to be an orphan, I'll never know. MISS HANNIGAN: (Laughs cruelly) Get to work. TESSIE: (Starting to cry) But it's four o'clock in the morning. (Switches on the LIGHT in the dormitory, sticks her head through the door and BLOWS her whistle) Get up! Now, for this one's shenanigans, you'll all get down on your knobby little knees and clean this dump until it shines like the top of the Chrysler Building! MISS HANNIGAN: That was 1922 this is 1933. My mother and father left a note saying they loved me and they were coming back for me. (ANNIE turns around and MISS HANNIGAN hits her on the backside with a paddle) There! Now, what do you say? What… do… you… say?ĪNNIE: (Reluctantly through her teeth) I love you, Miss Hannigan.ĪNNIE: (Angrily) I'm not an orphan. Get up!ĪNNIE: (Getting up, warily) Yes, Miss Hannigan. MISS HANNIGAN: Aha! Caught you! (Flings ANNIE to the floor and switches on the hallway light. (MISS HANNIGAN, wearing a bathrobe, flings open her door and, witch-like, stands bathed in white light before ANNIE) There you should be able to see itty bits of scripts, scores, and breakdowns of each character. After he made the groundbreaking Netflix series House of Cards and Mindhunter, Fincher used the currency at Netflix to muscle through Mank and make it in black and white, exactly as Jack Fincher scripted it, a profound way to honor the memory of his father.Type in then click on "Audition Central." A list of shows will come up, select the obvious one (Annie Jr.). No studio wanted to make a movie designed to be in black and white, and when pitched amounted to a credit arbitration between Mankiewicz and Orson Welles. His son, then regarded as a visionary helmer of commercials and videos, was just making his debut on Alien 3, a movie that disappointed. Jack Fincher could not get anyone to bite on his script while he was alive. He chose the evolution of Herman Mankiewicz from a tipsy intellectual script doctor to a man who found his courage in authorship on a movie that took on his benefactor, William Randolph Hearst. put it after its Globes nomination: “After retiring, turned to crafting a script about the behind the scenes on a movie he loved, Citizen Kane. The evolution of the script, as Deadline’s Mike Fleming Jr.
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